Artist satirises Zuma without painting his penis
It is apparently possible to paint the president with all his clothes on and still make fun of him.
Pascale Chandler’s painting Zapoleon Can’t Fall.
In an almost dramatic departure from tradition, a new satirical painting of President Jacob Zuma has gone on show without any pornographic elements.
The Gallery in Riebeek-Kasteel, 80km northeast of Cape Town, will be displaying the painting next month as part of an exhibition entitled “In With The New” taking place from 11 August to the end of September.
Exhibiting artists were requested to put their own contemporary spin on to classic paintings and sculptures which stand in art museums around the world.
In the large oil on canvas piece Zuma has been depicted as megalomaniac historical leader Napoleon Bonaparte in a painting entitled “Zapoleon Can’t Fall”. The gallery says the title echoes the populist call for #ZumaMustFall and the painting satirically investigates and interrogates the fractured reputation of the South African president.
“Based on the renowned painting ‘Napoleon Crossing the Alps’, which features a euphoric Napoleon seated on his rearing stallion, which was painted by artist Jacques-Louis David in 1801 on request of the King of Spain following the French revolution, this contemporary version shows ‘Zapoleon’s’ plump figure seated on a rearing horse.
“Artist Pascale Chandler, who created the piece, explains that President Zuma, or ‘Zapoleon’, is clad in traditional regalia, including a leopard skin, beaded accessories and cultural weapons, with the South African flag and ANC logo randomly plastered on his figure to represent graffiti, propaganda and sloganeering.
“Zapoleon is wearing Nike sneakers – which represent conspicuous consumption and the funky hip hop American influence on indigenous cultures,” said Chandler.
The landscape is “littered with polka dots to evoke the ruling party’s carnivalesque approach to government”.
“The text ‘Nkandla’ positions the horse on the controversial stretch of land plagued by corruption and fraud. The barbed wire tangled between the hooves of the horse references the security upgrade at Nkandla.”
In the painting Napoleon’s army is replaced by the Voortrekker Ossewa, which the artist says is “a bleak reminder of the oppressive regime of the apartheid system”.
“There is a Chinese proverb which captures the addictiveness of power: ‘It’s easy to mount a tiger but very hard to get off’. Thus the horse in my painting becomes a metaphor for power and the rider for the abuse thereof. Power has become kidnapped in SA and the current political issues of state capture, corruption and nepotism echo the notion of Napoleon as a revolutionary with megalomaniac tendencies.
“History is written by the winners and this work satirises the vitriolic claims of our country’s leadership against a backdrop of a flawed democratic idealism that has little to celebrate,” added Chandler.
Astrid McLeod, the owner and curator of The Gallery said that selected artists were invited to submit artworks that were their personal interpretations of renowned pieces.
“I wanted to challenge the exhibiting artists to think out the box and love the idea of putting a modern contemporary spin on an old classic,” said McLeod.
Zuma has complained bitterly in the past when artists such as Brett Murray and Ayanda Mabulu have painted him with his penis hanging out.
For more information on The Gallery and In With The New, visit galleryriebeek.co.za or follow The Gallery on Facebook.
