Music enthusiasts enjoyed a concert featuring the timeless compositions of Michael Mosoeu Moerane at The Goethe-Institut
Michael Mosoeu Moerane, the first black music graduate in South Africa, was known for only a handful of choral pieces during his lifetime.
The Goethe-Institut in partnership with the Johannesburg International Mozart Festival and the Africa Open Institute, Stellenbosch University presented a concert featuring the timeless compositions of Michael Mosoeu Moerane on October 17.
Moerane, the first black music graduate in South Africa, was known for only a handful of choral pieces during his lifetime. However, he composed more than 80 works, of which 50 choral works and a symphonic poem have been re-appraised after his passing.
The debut of a new critical edition of Moerane’s music, meticulously produced under the guidance of Dr Christine Lucia, will take place on October 17 at the Goethe-Institut in Johannesburg. Dr Lucia is currently an honorary professor at the Africa Open Institute at Stellenbosch University.
Dr Lucia noted, “The special event would also introduce the audience to previously undiscovered compositions that delve into Moerane’s fascination with nature, people, and the pressing issues of his time.”
The concert was led by the esteemed directors Richard Cock and Sabelo Mthembu and featured the enchanting performances of the Chanticleer Singers and Quava both groups are vocal ensembles renowned for their artistry and captivating interpretations.
Together, they showcased a carefully curated selection of Moerane’s work, including beloved favourites such as Ruri, Della, and Sylvia.
Goethe-Institut of South Africa, cultural programmes coordinator, Dr Asma Diakite concluded that the concert was a rare opportunity for music enthusiasts, historians, and the public to immerse themselves in the rich and diverse musical tapestry woven by Moerane.
“Through this exceptional event, the Goethe-Institut aims to celebrate and preserve the legacy of this influential composer, whose contributions have left an indelible mark on the South African music landscape.”
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