Reviving the culture of weaving mats

Tell us about your artistic journey up until the point of entering Sasol New Signatures 2022. 

I studied fine art at the Durban University of Technology and recently received my Postgraduate qualification. I have been practising as an artist and curator since my first year of studies at DUT. I have exhibited in many group exhibitions in Durban and recently in Johannesburg. I have always pushed myself to create work that would speak about the topics I’m afraid to express verbally in front of my family. I have been mentored by many well-established people in Durban who helped me develop my artistic and curatorial practice.

Why did you create the piece you submitted?

I created this piece titled “Unveiling the Archive” because I felt that the technique and knowledge of weaving grass mats is slowly diminishing. I learned this process of weaving grass mats from my friend’s mother, and it is something I hold close to my heart because she harvests the grass and creates these mats to sell and earn a living for her and her family. I believe these works lose valuable knowledge when placed in museums behind glass. So many stories are being lost and undocumented. Hence, I would like to revive this culture of weaving mats which play a pivotal role in many people’s lives. And to keep my relationship and connection with my friend’s mom alive.

Your preferred mediums are?

I chose to use the raw materials from which a grass mat is made to represent it in its original state and the creation process. Epoxy resin was used to represent or achieve a museum glass case, and I thought it was the best and closest option to speak to the idea I am trying to convey. Also, I used resin to manipulate and create a textured case that is again tied to the grass mat. But it also speaks to the disappearing act of knowledge and skill in making these mats. I enjoy creating sculptures to convey the message louder.

When people view your work – what response are you hoping to create?

I am hoping people will realize that indigenous knowledge and skills are slowly diminishing amongst various communities, and less knowledge is passed down to the younger generation. I feel connections between people and objects will be lost.

What are you currently working on?

I’m working on small pieces, which consist of used teabags and beads. I am also busy writing up proposals for potential exhibitions and opportunities I wish to apply for. I wish to continue developing my skills in the arts and curating sectors. I have an upcoming group show at Berman Contemporary in Johannesburg. I want to develop a studio/ exhibition space in Durban to support, encourage and teach younger artists.

Which South African artists do you admire and why?

I admire Simphiwe Buthelezi for her use of materials and the context behind her work. Also, I admire Igshaan Adams, a textile-based artist, for his patience in weaving with different materials. I admire Adam’s conceptual background and how he has used his work to express his sexuality and choices in life.

Details: www.sasolsignatures.co.za