Artist celebrates Joburg’s new beginnings
JOBURG – See James Delaney's new exhibitions.
![](https://images.caxton.co.za/wp-content/uploads/sites/5/2016/05/rac18Delaney2_287991.jpg)
James Delaney’s latest exhibition consists of three different series namely Johannesburg/Beginnings, Ghosts and Manhole Impressions.
Delaney is a Cape Town-born artist, who now lives and works in the City of Gold, and has exhibited his work in a number of local and international galleries since the start of his career in 2003.
His latest works will be displayed at the In Toto Gallery in Birdhaven from 26 May to 20 June.
The Johannesburg/Beginnings lithographs explore the historical architectural landscape of the city of Johannesburg and what remains of it today, interlinked with the artist’s observations of small details and pieces of public art in the current landscape.
The images combine archival references dating back to the early years of the city, through to observational photographs taken by the artist on an iPhone walking the city and flying above it, and using references posted on social media.
Delaney’s Ghosts are silkscreens that refer to the great beasts that used to roam where Johannesburg lies today; they are a reflection on the land’s past.
In this sense, these ‘ghosts’ are somewhat, an extension of an idea explored by Clive van der Berg’s Eland sculpture in Braamfontein, a cement structure with living plants growing out of its sides.
The idea of peeling back layers of history is emphasised by Delaney’s shifting, hazy images that appear like mirages before you. Delaney is currently completing this series.
The Manhole Impressions highlight the artist’s adventurous side. Delaney wanted to create a series that subtly highlighted the similarities in architecture, grit and feel between Johannesburg and New York.
Delaney noticed the beautiful patterns that manhole covers feature, and has immortalised them by making ink prints of the manholes in and around both cities. He worked between the Big Apple and the City of Gold, creating original works of art that tie the two cities together.
Having to avoid the authorities in doing so, Delaney found himself highly connected to both cities, sitting on their pavements, waiting for the ink to dry before he carefully placed the paper in his car or rolled them up and carried them back with him on foot, only managing to do one or two a day before the streets got too busy.
Currently completing the series, Delaney will be giving audiences a view of the city from his perspective.
Details: www.intotogallery.co.za; 011 447 6543.